Browse Literature

Browse Literature

CodeAuthor/Editor(s)DateFull citation
Anthony 1997Anthony 1997Anthony, James R. French Baroque Music from Beaujoyeulx to Rameau. Portland: Amadeus Press, 1997.
Beckmann 1980Beckmann 1980Beckmann, Claus, ed. Buxtehude, Dietrich: Sämtliche Suiten und Variationen für Klavier/Cembalo. Wiesbaden: Breitkopf & Härtel, 1980.
Bédard 1986Bédard 1986Bédard, Pierre-Michel. “Une nouvelle source pour la musique française de clavier des XVIIe Et XVIIIe siècles: les manuscrits de Vitré.” Revue de musicologie 72:2 (1986): 201–35.
Bédard 1993Bédard 1993Bédard, Pierre-Michel. Pièces d’orgue des Augustines de Vitré. Le Pupitre, 74. Paris: Heugel, 1993.
Beyhurst 2014Beyhurst 2014Beyhurst, Laurent. “Les arrangements pour claviers des oeuvres théâtrales de Jean-Baptiste Lully dans leur contexte historique, esthétique et social (1661-1715).” PhD diss., Université de Lorraine, 2014.
Bonfils 1974Bonfils 1974Bonfils, Jean, ed. Livre d’orgue attribué à J.N. Geoffroy. Le Pupitre, 53. Paris: Heugel, 1974.
Chung 1997Chung 1997Chung, David. “Keyboard Arrangements of Lully’s music and Their Significance for French harpsichord music.” 2 vols. PhD diss., University of Cambridge, 1997.
Chung 2003Chung 2003Chung, David. “Lully, D’Anglebert and the transmission of 17th-century French harpsichord music.” Early Music 31:4 (2003), pp. 582–604.
Chung 2004Chung 2004Chung, David, ed. “Introduction.” In Jean-Baptiste Lully: 27 Opera Pieces transcribed for Keyboard in the 17th and 18th Century. ES 45. Bologna: UT Orpheus Edizioni. 2004.
Chung 2015aChung 2015Chung, David, ed. “Introduction.” In Keyboard Arrangements of Music by Jean-Baptiste Lully, Web-Library of Seventeenth-Century Music. Monuments of Seventeenth-Century Music, 1. 2015. http://www.sscm-wlscm.org/monuments-of-seventeenth-century-music/volume-i.
Chung 2015bChung 2015Chung, David. “The Menetou manuscript: a study of styles and repertory for the harpsichord during late-seventeenth-century France.” Revue de musicologie 2 (2015): 407–36.
Cooper 1981Cooper 1981Cooper, Barry A.R. “A New Source (c1600) of Chansons and Keyboard Music.” Recherches sur la musique française classique 21 (1981), pp. 5–17.
Cooper 1974Cooper 1974Cooper, Barry A.R. English Solo Keyboard Music of the Middle and Late Baroque. D.Phil. diss., Oxford University, 1974; reprinted, New York: Garland, 1989.
Cooper and Zasko 1967Cooper and Zasko 1967Cooper, Kenneth and Julius Zsako. “Georg Muffat’s Observations on the Lully Style of Performance.” The Musical Quarterly 53 (1967), pp. 220–45.
Curtis 1961Curtis 1961Curtis, Alan, ed. Nederlandse Klaviermuziek uit de 16e en 17e eeuw. Monumenta Musica Neerlandica, 3. Amsterdam: Verenigung voor Nederlandse Muziekgeschiedenis, 1961.
Curtis 1970Curtis 1970Curtis, Alan. “Musique classique française à Berkeley.” Revue de musicologie 56:2 (1970), pp. 123–64.
D’Anglebert 1689D’Anglebert 1689D’Anglebert, Jean Henry. Pieces de clavecin. Paris: author, 1689.
Dorival 1998Dorival 1998Dorival, Jérome.  Catalogue des fonds musicaux anciens conservés en Région Rhône-Alpes, vol. 1: Les manuscrits (1600–1870), Patrimoine musical régional 17.1. s.l: Ardim, 1998.
Eeckeloo 2004Eeckeloo 2004Eeckeloo, Johan and Mirjam Devriendt. Frw in B Bc: 100 Ans de la Collection Wagener au Conservatoire Royale de Bruxelles. Brussels: Koninklijk Conservatorium, 2004.
Féruselle 1983Féruselle 1983Féruselle, Pierre, (or Lesure, François), ed. “Introduction.” In Pièces de clavecin c. 1680: manuscrit de Mademoiselle la Pierre (Bibliothèque nationale, Paris, Rés. Vmd. ms. 18). Geneva: Minkoff, 1983.
Fuller 1990Fuller 1990Fuller, David. “Les arrangements pour clavier des œuvres de Lully.” In Jean-Baptiste Lully: Actes du colloque (Saint-Germain-en-Laye—Heidelberg 1987), edited by Jérôme de La Gorce and Herbert Schneider. Laaber: Laaber-Verlag, 1990, pp. 471–82.
Fuller 2000Fuller 2000Fuller, David. “Observations on Couperin de Turin.” Journal of Seventeenth-Century Music, 6/2 (2000), https://sscm-jscm.org/v6/no2/fuller.html (accessed March 31, 2018).
Fuller 2003Fuller 2003Fuller, David, ed. “Introduction.” In Pièces de clavecin, ca. 1670–1685. Fac-similé du manuscrit, Bibliothèque du Conservatoire Royal, Bruxelles, Ms 27220. Geneva, Minkoff, 2003.
Gilbert 1975Gilbert 1975Gilbert, Kenneth, ed. “Introduction.” In D’Anglebert, Jean Henri: Pièces de clavecin. 2 vols. Le Pupitre, 54. Paris: Heugel, 1975.
Goy and Desmet 2000Goy and Desmet 2000Goy, François-Pierre, and Marc Desmet. Catalogue des fonds musicaux anciens conservés en Champagne-Ardenne. Paris: Minkoff, 2000.
Gustafson 1979Gustafson 1979Gustafson, Bruce. French Harpsichord Music of the 17th Century: A Thematic Catalog of the Sources with Commentary. 3 vols. Ann Arbor: UMI Research Press, 1979.
Gustafson 1987aGustafson 1987Gustafson, Bruce, ed. “Introduction.” In London, British Library, MS Add. 39569: Babell MS. 17th-Century Keyboard Music, 19. New York, Garland Publishing, 1987.
Gustafson 1987bGustafson 1987Gustafson, Bruce, ed. “Introduction.” In Lüneburg, Ratsbücherei, Mus. ant. pract. 1198. 17th-Century Keyboard Music, 22. New York and London: Garland Publishing, 1987.
Gustafson 1990Gustafson 1990Gustafson, Bruce. “The Legacy in Instrumental Music of Charles Babel, Prolific Transcriber of Lully’s Music.” In Jean-Baptiste Lully: Actes du colloque (Saint-Germain-en-Laye—Heidelberg 1987), edited by Jérôme de La Gorce and Herbert Schneider. Laaber: Laaber-Verlag, 1990, pp. 495–516.
Gustafson 1995Gustafson 1995Gustafson, Bruce. “France.” In Keyboard Music Before 1700, edited by Alexander Silbiger. New York: Schirmer Books, 1995.
Gustafson 2010Gustafson 2010Gustafson, Bruce. “Seventeenth-Century Harpsichord Music from the House of Thurn und Taxis.” Fiori musicali: Liber amicorum Alexander Silbiger, edited by Claire Fontijn and Susan Parisi. Warren, Michigan: Harmonie Park Press, 2010, pp. 303–321.
Gustafson 2017Gustafson 2017Gustafson, Bruce. “Chambonnières: A Thematic Catalogue.” Journal of the Society for Seventeenth-Century Music. Instrumenta, 1. https://sscm-jscm.org/instrumenta/instrumenta-volumes/instrumenta-volume-1 (accessed November 2, 2017).
Gustafson 2018Gustafson 2018Gustafson, Bruce. “Four decades after French Harpsichord Music of the Seventeenth Century: newly discovered sources.” In Perspectives on Early Keyboard Music and Revival in the Twentieth Century, edited by Rachelle Taylor and Hank Knox. London and New York: Routledge, 2018, pp. 7–45.
GustafsonAGustafsonAGustafson, Bruce. “Wilhelmine Amalie: An Empress of the Holy Roman Empire as Parisian Harpsichordist.” The Worlds of the Harpsichord and Organ: Liber Amicorum David Fuller. Stuyvesant: Pendragon Press, in press, pp. 1–27.
Gustafson and Fuller 1990Gustafson and Fuller 1990Gustafson, Bruce and David Fuller. A Catalogue of French Harpsichord Music 1699-1780. Oxford: Clarendon Press, 1990.
Gustafson and Leshinskie 1989Gustafson and Leshinskie 1989Gustafson, Bruce and Matthew Leshinskie. A Thematic Locator for the Works of Jean-Baptiste Lully. New York: Performers’ Editions, 1989. Reprinted as JSCM Instrumenta 4, 2017, https://sscm-jscm.org/instrumenta/instrumenta-volumes/instrumenta-volume-4 (accessed 9 April 2018).
Gustafson and Wolf 1999Gustafson and Wolf 1999Gustafson, Bruce and Peter Wolf, eds. “Introduction.” In Harpsichord Music Associated with the Name LA BARRE. New York: The Broude Trust, 1999.
Haberkamp 1981Haberkamp 1981Haberkamp, Gertraut. Die Musikhandschriften der Furst Thurn und Taxis Hofbibliothek Regensburg: thematischer Katalog. Munich: Henle, 1981.
Haensel 1974Haensel 1974Haensel, Uwe, ed. Das Klavierbuch der Christiana Charlotte Amalia Trolle, 1702 Neumünster: Wachholtz, 1974.
Harris 2009Harris 2009Harris, C. David, ed. “Introduction.” In Jean Henry D’Anglebert: The Collected Works. 2 vols. The Art of Keyboard, 7. New York: The Broude Trust, 2009.
Herlin 2001Herlin 2001Herlin, Denis, ed. “Introduction.” In Jean Henry D’Anglebert: Pièces de clavecin [Paris, 1689]. Geneva: Minkoff, 2001.
Heyer 1989Heyer 1989Heyer, John Haydu, ed. Jean-Baptiste Lully and the Music of the French Baroque. Cambridge: Cambridge University Press, 1989.
Hill 1988Hill 1988Hill, Robert, ed. “Introduction.” In Vienna, Minoritenkovent, Klosterbibliothek und Archiv, MS XIV.714. 17th-Keyboard Music, 24. New York, Garland Publishing, 1988.
Hill 1991Hill 1991Hill, Robert, ed. Keyboard Music from the Andreas Bach Book and the Möller Manuscript. Harvard Publications in Music, 16. Cambridge, Massachusetts: Harvard University Press, 1991.
Hogwood 2003Hogwood 2003Hogwood, Christopher, ed. Fitt for the Manicorde: A Seventeenth-Century English Collection of Keboard Music, 58 Pieces for Harpsichord, Clavichord, and Organ. Launton: Edition HH, 2003.
Howell 1963Howell 1963Howell, Almonte Charles Jr., ed. Nine Seventeenth-Century Organ Transcriptions from the Operas of Lully. Lexington: University of Kentucky Press, 1963.
La Gorce 1990La Gorce 1990La Gorce, Jérôme de, and Herbert Schneider, ed. Jean-Baptiste Lully: Actes du colloque (Saint-Germain-en-Laye—Heidelberg 1987), edited by Jérôme de La Gorce and Herbert Schneider. Laaber: Laaber-Verlag, 1990.
Ledbetter 1987Ledbetter 1987Ledbetter, David. Harpsichord and Lute Music in 17th-Century France. London: Macmillan Press, 1987.
Leech 2008Leech 2008Leech, Peter, ed. The Selosse Manuscript: Seventeenth-Century Jesuit Keyboard Music, Launton, Edition HH, 2008.
Lundgren 1960Lundgren 1960Lundgren, Bo, ed. Johann Lorentz: Klavierwerke. Lund: [S.I.], 1960.
Maple 1988Maple 1988Maple, Douglas. “D’Anglebert’s Autograph Manuscript, Paris B.N. Rés. 89ter: An Examination of Compositional, Editorial, and Notational Processes in 17th-century French Harpsichord Music.” PhD diss., University of Chicago, 1988.
Massip 1998Massip 1998Massip, Catherine. “Les Pièces de clavecin de François Couperin dans les recueils collectifs.” In François Couperin: nouveaux regards, Actes des Rencontres de Villecroze, 4 au 7 octobre 1995, edited by Orhan Memed. Paris: Klincksieck, 1998, pp. 81–103.
Moroney 1998Moroney 1998Moroney, Davitt, ed. “Introduction.” In Livre de tablature de clavescin de Monsieur de Druent, écrit par Couperin, c. 1695. Geneva: Minkoff, 1998.
Newmann 1979Newmann 1979Newmann, Joyce. Jean-Baptiste de Lully and His Tragédies Lyriques. Studies in Musicology, no. 1. Ann Arbor: UMI Research Press, 1979.
Noske 1959Noske 1959Noske, Frits, ed. Klavierboeck Anna Maria van Eijl. Monumenta Musica Neerlandica, 2. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis, 1959.
Riedel 1963Riedel 1963Riedel, Friedrich Wilhelm. Das Musikarchiv im Minoritenkonvent zu Wien, Catalogus Musicus I. Kassel: International Association of Music Libraries, 1963.
Rudén 1981Rudén 1981Rudén, Jan Olof. Music in Tablature—A thematic index with source descriptions of music in tablature notation in Sweden. Stockholm, 1981.
Saint-Arroman 1999Saint-Arroman 1999Saint-Arroman, Jean, ed. “Introduction.” In Pièces de clavecin: Édition originale—1689 et pièces manuscrites (Rés. 89ter), manuscrit intégral, 2 vols. Courlay: J.M. Fuzeau: 1999.
Schmidt 1987Schmidt 1987Schmidt, Carl B. “Newly Identified Manuscript Sources for the Music of Jean-Baptiste Lully.” Notes 44:1 (September 1987), pp. 7–32.
Schneider 1981Schneider 1981Schneider, Herbert. Chronologisch-thematisches Verzeichnis sämtlicher Werke von Jean-Baptiste Lully. Tutzing: Hans Schneider, 1981.
Schnoor 1997Schnoor 1997Schnoor, von Arndt. “Neue Cembalowerke von Christian Flor (1626-1697).” Die Musikforschung 50:1 (1997), pp. 74–77.
Silbiger 1987Silbiger 1987Silbiger, Alexander, ed. “Introduction.” In Rome, Biblioteca del Conservatorio di Musica Santa Cecilia, MS A/400. 17th-Century Keyboard Music, 13. New York and London: Garland Publishing, 1987.
Synofzik 1999Synofzik 1999Synofzik, Thomas. “Eine unbeachtete Quelle zur Claviermusik des 17: Jahrhunderts aus der Sammlung Wagener.” Revue belge de musicologie 53 (1999), pp. 53–112.
Wallon 1956Wallon 1956Wallon, Simone. “Un recueil de pièces de clavecin de la seconde moitié du XVIIe siècle.” Revue de musicologie 38 (December 1956), pp. 105­–14.