Matti Amadou’s Hunting Trip

FinnishFinnish

TAULA-MATTI. Olihan tuo pulskeakin pussiin pistettävä jalli; lihava köntti. Niin; ja sitten me ryypättiin. —Sitten pu'imme nutut päällemme taas, kruutikuivana, ja pantiinpas koreasti ma'ata tuohon heiluvan tulen hauteesen. Mutta vähänpä siinä unta uneksuttiin, koska noidannuolia kuin tulisia kärmeitä lenteli lakkaamatta ristiin, rastiin ilmassa huimaavan päämme yli. Useinpa kyllä putkahteli Heiskanen ylös, huutain korkealla äänellä: »sammu, noidannuoli, sammu, noidannuoli!» ja kohahtaen raukeni heistä moni mikä metsään, mikä harmaasen suohon, mutta useampi vielä mennä pyhkäsi pitkin sileätä tietänsä, huolimatta hänen huudostansa. Kerranpa kuului, viiltäen pohjosesta etelään, riivatun äkeä ja vinha puhina, jota seurasi vielä pientä vilinätä kauan. Mikähän pokko siitä vilkkaisi? kysyin minä Heiskaselta, joka hetken päästä minulle morahtaen vastasi: »mänihän siitä itse ukko Hiisi».--Kului taasen tunti, kului kaksi, ja tulta iski liepeä, sumuinen ilma. Mutta idästä suon partaalta kuului äkisti ääni kuin sammaleisten kuusten kohaus, ja vastasi nyt suon läntiseltä rannalta pian taasen toinen ääni, mutta hieno niinkuin kahaus pienestä koivistosta. Mikä kohaus se siellä, ja mikä kahaus tämä täällä? kysyin minä taasen, ja vastasi viimein Heiskanen morahtaen: »hoastaahan kuusiston toatto tyttönsä kanssa».--Mutta meni vihdoin yö ja koitti kerran aamu ja siitä lähdettiin tallustamaan taas. Kas kun nyt juuri metsän rannalla näimme hallavan, sen peevelinmoisen suden, mutta hän pakeni kuin hernehaasia tuulispäässä. Näkyi viimein enään vasempi takajalkansa, minä ojensin pyssyni ja ammuin tassun poikki, poikki niinkuin rouskun, mutta pelastipa hän nahkansa kuitenkin. Poikki ammuin äijä-paran töppösen.

EnglishEnglish

Tinder-Matti. ‘Twas a fine old rogue for any bag; a fat rascal. Ay, and then we had a drink. We put on our coats again, dry as powder, and laid ourselves peacefully to sleep in the warmth of the dancing fire. But ‘twas little the sleep we got, what with sorcerer’s arrows flying all the time like fiery serpents criss-cross through the air over our reeling heads. Often enough, Heiskanen bounced up, crying in a loud voice: “Out, sorcerer’s arrow, out, sorcerer’s arrow!” and with a roar many of them fell, some in the forest, some in the grey bog, but still more went skimming along their smooth track without heeding his shout. And once we heard, sweeping from north to south, a damned angry and swift puffing that was followed for long by little squeakings. “What kind of a goblin was that scurried past?” I asked Heiskanen, who answered after a while in a growl: “That was the Old ‘Un himself passing by.” An hour went by again and another, and fire kept flashing in the mild, muggy air. Then, from the edge of the bog to the east, there came a sudden noise like the roar of mossy firs, and a moment later from the bog’s western side, another noise answered, but softer, like the rustle of a young birchwood. “What roar was that over there, and what rustle this over here?” I asked again, and Heiskanen growled at last: “Th’ old Spirit of the First spoke to his daughters.” The night passed, anyhow, and in time morning dawned, and we set off again. And that very minute we saw, right at the end of the forest, a grey wolf, the damnedest big one for size, that flew off like a stack of peas in a whirlwind. All we saw of it at last was its left hind leg, and lifting my gun I shot it right through the paw, snapped it in two like a piece of crackling, though it saved its skin after all. Broke the poor beggar’s peg in two.

    Version

  • 1929
  • 1991
  • 2016

Questions:

  1. In Finnish Matti and Heiskanen speak in two different dialects; is that reflected in the translation? Do they speak different dialects in this translation? If so, how natural do they sound? If not, how well do you think that works here? (Version 1929)

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  2. How rhythmic is the sound or tone of Matti’s story? Does it in any way feel like poetry in motion? Does Matti strike you as a gifted storyteller? What are the most and least “gifted” storytelling moments in the passage? (Version 1929)

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  3. Does this passage sound like any existing novel you know in the target language, or like a certain author, or like a period novelistic style that you recognize? If so, what or whom? Does that feeling of familiarity make you like the passage more, or less, or have no effect on your response? (Version 1929)

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  4. If you had time, would you want to read this entire translation? Why or why not? (Does it make you say “wow!”? Are you astonished at its brilliance?) (Version 1929)

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  5. Does this translated passage make you think that Aleksis Kivi might be a great writer of World Literature, or not? Why or why not? (Version 1929)

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