THE LADY OF LUTE (TSUI NG NAN)
Synopsis
Tsui Ng Nan was married to a scholar Choi Pak Kei. She was not only noted for her beauty and intelligence, but she was also a perfect wife as well as a dutiful daughter-in-law in the eyes of her neighbour Cheung Kong Chai
It had been Choi’s greatest desire to get the highest graduate from the Government, however, he didn’t want to leave his aged parents behind for the examination. But on the other hand, Choi’s father wished his son to achieve fame and success, and to be somebody in his field, so he bitterly reproached Choi for having no ambition to aim high, and finally compelled the latter to set off for the public examination.
Before leaving, Choi entrusted his family to the care of his friend and neighbour, Cheung Kong Chai.
After a hard study, Choi was ultimately awarded the highest graduate, and the Prime Minister seeing Choi a bright young promising youth, offer to give him his daughter in hand of marriage in spite of Choi’s protest. Even though Choi had attempted to resign from his official rank if he was compelled to marry again, however, his resignation was turned down and the marriage was finally held. After the wedding Choi still resided in the capital city with his newly wed bride and father-in-law.
During this time, a draught was just happening in the town where Tsui Ng Nan and her folks lived. Everywhere was dry and rainless, and with the little food she got, she all reserved for her father and mother-in-law. At first, Choi’s parents thought that she had already reserved enough food for herself, but when they learned of the truth, they were deeply touched at her filial pity, and eventually refused to take all the food from her. As time passed, they could no longer stand with the little food they had, thus they became weaker and weaker in strength, and finally Choi’s parents died of hunger and old age. Taking pity, Cheung helped Tsui Ng Nan to bury her folks, and in addition gave her a sum of money enough for her trip to find her husband. So with the little sum of money and a guitar, Ng Nan sang her way to the city.
Meanwhile, Choi who was now living luxuriously with his present wife, did not feel happy at all, for his heart was always feeling guilty of deserting Tsui Ng Nan and his aged parents behind. His wife didn’t know of his story, and seeing how unhappy he was, she begged her husband to tell her the problem that was actually bothering him day and night. When Niu, his wife, finally learned of the truth, she felt very sorry for the error she had committed as she didn’t know that Choi had a wife beforehand. Wishing to pay back for the wrong she had done, Niu begged her father to permit Choi to return to his own native town.
It came to pass that Tsui Ng Nan finally arrived at the city and found to her knowledge that Choi had already married to somebody else. Amidst agony and anger, Ng Nan took her leave. Later when Choi learned of his wife's visit, and saw the guitar that she had left behind, he immediately set off his pursuit, and met Ng Nan on the way, who ultimately forgave Choi after much persuasion, and they both rode towards a homeward journey to their own town for retirement.
— End —
趙五娘本事
趙五娘，美而慧，嫁士人蔡伯喈爲妻，敬公婆，愛丈夫，深得鄰居張廣才讚許。
會朝廷開科取士，伯喈雖有金榜題名之意，奈感父母年邁，不忍遠離。
蔡父望子成龍，强之應試，母不以爲然，二老幾乎衝突。五娘亦以椿萱在堂，子不遠行爲辭，蔡父勃然色變，指伯喈迷戀閨房之樂，以致意忘消沉。伯喈嘿然，遂行成。
伯喈臨行，以家事托張廣才，張翁慨然允諾。五娘南浦送別，叮嚀再三，夫妻黯然而分。
伯喈至京應試，一舉成名，官拜議郞。
當朝牛丞相，見蔡少年英俊，卓爾不凡，欲招之爲婿，並奏請聖上主婚。蔡因本人旣巳婚配，何能再娶，拒之再三，仍屬無效，雖爲此上表辭官，終因君命難違，强之再婚，並繼續留京爲官。
蔡之家鄕陳留郡，遭遇旱災，赤地千里，民不得食，五娘變賣所有，難以爲繼，聞開糴義倉，往求升斗，不料途中爲飢民所劫，張廣才路過見之，以己粮助其歸。
五娘以張廣才所濟之米奉公婆，己則以糠粃充飢。公婆初則懷疑，以爲五娘暗藏美食，旣而窺得其情，心大不忍，乃與其共食，不幸被嗆而亡。
五娘無以爲殮，乃往長街賣髮，呼聲凄凉，路人酸鼻，事爲張廣才知，復助之，公婆得以埋葬。
五娘决計往京尋夫，描寫公婆遺容，背負琵琶上路，張廣才贈以盤費，泫然目送。
伯喈招親相府後，牛丞相不使其歸，因牛無子，留其以娛晩景也。而蔡日夕思家，無時或釋，一日牛氏探悉其情，恨其父不該將己配其有婦之夫，因伊初不知蔡有髮妻也，然木已成舟，恨也無益，乃請父讓蔡歸去探親。
牛丞相初不允，旣而命僕人來旺，往陳留郡接蔡父母及其妻來。
來旺至鄕間，遇張廣才，始知蔡父母已去世，五娘亦已進京尋夫矣。廣才授杖，囑代責伯喈，來旺乃受杖而別。
五娘至京，悉蔡招親相府，棄舊迎新，且將堂上二老，抛諸腦後，不義不孝，如此夫婿，ー無可取，乃留下二老遺容及琵琶，絕望而去。伯喈獲睹琵琶，絕望而去。伯喈獲睹琵琶及遺容後，始知五娘踪跡，亟上馬追趕，得遇五娘於途中，適來旺亦持蔡父之遺杖而至，伯喈甘受杖責，並向五娘表示願偕歸隱之意，五娘卒亦恕之焉。
序幕曲
〝趙五娘〞揷曲之1
陳蝶衣詞
侯湘曲
女高音
琵琶一曲訴辛酸，民間故事早流傳，代表婦德的趙五娘，不妨古調再重弹。
女中音
琵琶一曲訴辛酸，M……M……M……M……M……代表婦德的趙五娘，不妨古調再重弹。
閨喻
〝趙五娘〞揷曲之2
陳蝶衣詞
侯湘曲
（蔡伯喈 趙五娘唱）
（蔡）月有缺時也有圓，花有落時也有開：琵琶弦断尋常事，娘子何必貴疑一猜。
（蔡）花有開落樹不改， 月有圓缺魄長在；夫妻的恩愛有比對，明月長圓花長一開。
（趙）花落月缺兩無碍，相公妙喻妾領會，怕只怕，補缺的月𠒇是新月重開的花𠒇非舊裁。
（趙）明月常圓花長開，片言頓教妾寬懷，但願是，手不分携面不背一雙两好長相愛。
長亭送别
〝趙五娘〞揷曲之4
陳蝶衣詞
侯湘曲
（ 趙五娘 蔡伯喈唱）
（趙）在天有的是鳥比翼，在地有的是樹連理，人間為什麽有分離，要在那傾刻之間判東西？
（趙）千叮萬囑送臨歧，客中事事要留意，荒村雨露要趁早睡，野店風霜也要趁早起。
（蔡）此去長安路千里，抛家別妻非本意；為只為，嚴父有命不能違，無可奈何撇下你。
（蔡）娘子言語當謹記，你也要善保千金体；但願你，双眉别讓愁深鎖，两眼別讓淚長寄。
（趙）昨日還說月長圓，豈如鑽入了雲堆裏，昨日還說花長開，豈知遇風就片片飛
（蔡）雲會消散風會息，離人也有那重會期，倘然是金榜題名得如願，少不了香車寶馬來迎接你！
伯喈思親
〝趙五娘〞揷曲之7
陳蝶衣詞
侯湘曲
（蔡伯喈唱）
自從高堂别双親，來到京畿求功名，文學有靈幸得隽，如今是官拜議郎立朝廷。富貴得來雖不易，無奈家有白髮親，侍奉偏勞閨中人，怕只怕衣食張罷力難任。
我意欲辞官歸故里，移忠作孝守家門，昨日已將表章上，但願聖旨能够早允准。
勸公婆
〝趙五娘〞揷曲之10
陳蝶衣詞
侯湘曲
（趙五娘唱）
天災人禍到處有，荒年難免柴米憂；叫一声公公，喚一声婆婆，患難之中要忍受
祗因天旱井水乾，茶湯也失去舊時甘；望求婆婆寬恕我，無米為炊難上難。
借米
〝趙五娘〞揷曲之12
陳蝶衣詞
侯湘曲
（趙五娘唱）
家中粒米已無存，公婆捱心不忍去到張家問一問，可有餘粮借一升。
石頭人
〝趙五娘〞揷曲之13
陳蝶衣詞
侯湘曲
（趙五娘唱）
路旁站著石頭人，石人無語守荒墳，恨不能搖身變一變，變作石人不愁飢火焚。
賣髪
〝趙五娘〞揷曲之20
陳蝶衣詞
侯湘曲
（趙五娘唱）
公婆不幸双見背，棺木未備難葬埋，金釵早已典質盡，只得是剪下青絲來叫賣。
郎君一去音信乖，閨中無人伴妝台；我也用不着理雲鬢，倒不如剪髮賣髮免借貸。
那一位啊那一位，仁人君子發慈悲？買了我的青絲去成全，我埋葬公婆一片哀。
不必問
〝趙五娘〞揷曲之14
陳蝶衣詞
侯湘曲
（趙五娘唱）
同時天下苦百姓，哎！姓甚名誰不必問，早早帶米囬家去，家中的孩𠒇正在等。
描容
〝趙五娘〞揷曲之22
陳蝶衣詞
侯湘曲
（趙五娘唱）
未曾提筆淚先流，公婆已是断七後。家中柴米空無有，廬墓三年也難守。只得離家去長安，探問夫君平安否。二老靈前無人祭，撇在腦後不能够。素紙一幅描遺容，背在身上也祘一同走。
後長亭
〝趙五娘〞揷曲之23
陳蝶衣詞
侯湘曲
（趙五娘唱）
當初淚𤂢送别路，想不到我也要走上舊征途。
樹盡倒花全枯，也不見蝶飛舞；昔日青山變黄土，滿目荒凉那里像人間路？
走一步無人扶，停一步苦難訴；眼前不見我的夫，我的夫，你在何處在何處？
今日𤂢淚有誰知？西望長安，祗覺得，眼模糊。
說真情
〝趙五娘〞揷曲之26
陳蝶衣詞
侯湘曲
牛文綉 蔡伯喈 惜春唱
（文綉）既然百年成嘉禮﹐患難相共纔是夫妻；你有心事不肯說伉儷的情分在那里？
（蔡）故鄉早有那鳥比翼﹐故鄉早有那樹連理；眼前顧了新人笑﹐背後難免舊人啼。
（惜春）姑爺此言太奇怪， 莫非你也家中有原配？
（文綉）她她她她……是誰？爲甚麽不早説明白？
（蔡）當初我推辞一而再﹐無奈皇命不能違﹐並不是我要瞞著你﹐貪圖這一霎暴富貴。
趙五娘與「琵琶記」
蔡伯喈是東漢時代陳留郡人士，博學多才，性篤孝。在初平初，官拜中郞將，封高陽鄕。董卓死，蔡伯喈被株連，廋死獄中，除女兒文姬，二個兒子也被殺戮。
到了宋朝，有人假借蔡伯喈之名，編了一齣戯，諷剌當時的權貴棄糟糠再娶，因爲寫得精彩動人，一時流傳四方，婦孺皆知。
劉後村有詩曰：「死後是非誰管得，滿村爭唱蔡中郞。」可見此劇動人心弦。
元朝的高則誠是個寫詞曲的好手，他得到了這個曲本，又加以潤色，使內容份外充實，並題名曰：琵琶記。家傳戶誦，使死後之蔡伯喈名揚四海。
撇開這齙戲的眞實與否不談，以戲論戲，這是一部好戲，它描劃夫妻之愛，天倫之情，朋友之義，及高高在上的大官之自私，都有獨到的筆觸。尤其是戲中的女主角趙五娘惹人憐愛，她代表了女性堅强的一面，對公婆的尊敬孝順，對丈夫的温柔體貼，對艱苦的不屈不撓，在在都使人對她肅然起敬，誰敢說：「女人是弱者」？
聯合影業有限公司拍攝的「趙五娘」，是「琵琶記」改編的。把不必要的塲合刪去，增添了戲劇性外，還强調蔡伯喈和趙五娘的愛情，如蔡伯喈所唱︰「千山萬水我也要跟隨你！」說明他對趙五娘的精誠之愛。
李湄在「趙五娘」中飾演趙五娘，趙雷飾演蔡伯喈，石英飾演牛小姐，都有超水準演出。製片人王龍說：「我不敢說趙五娘的成績是怎麽樣好，但是我敢肯定的相信觀衆看過一次後，還想看第二次，第三次……」
求歸
〝趙五娘〞揷曲之27
陳蝶衣詞
侯湘曲
牛文綉 蔡伯喈唱
（蔡）故鄉多災度日難，只怕你公婆望眼穿，請你助我回家轉，孝親的心願要你成全。
（文綉）你要囬家把父母探，爲妻豈有不放還，怕只怕官人此一去，舊絃續了新絃断！
尋夫（之二）
〝趙五娘〞揷曲之31
陳蝶衣詞
侯湘曲
（趙五娘唱）
人人都說蔡伯喈，做了相府金亀婿；今日親眼來得見，旁人傳說事不虛。
琵琶怨
〝趙五娘〞揷曲之33
陳蝶衣詞
侯湘曲
（趙五娘唱）
琵琶一曲訴辛酸，辛酸的事𠒇説不完，丈夫離家去趕考，誰知他一去不囬轉。故鄉本是好河山，如今到處有災難；公婆不幸死飢寒，剩下我ー人痛孤單。
千里尋夫到長安，薄倖的夫婿有新歡，今日寄人屋簷下，當我哀鴻一例看。夫婿變了負心漢，縱能相見也徒然；我不免留下畫ー輻，找我的葬身望夫山。
决絕詞
〝趙五娘〞揷曲之34
陳蝶衣詞
侯湘曲
（趙五娘唱）
糟糠之妻腦後抛，堂上也忘有二老；為人不義又不孝，這樣的夫婿我不要！
凉亭會
〝趙五娘〞揷曲之35
陳蝶衣詞
侯湘曲
（蔡伯喈 趙五娘 來旺唱）
（蔡）娘子休要生我的氣，我特地前來追尋你。
（趙）你是相府金亀婿，何必追尋糟糠妻
（蔡）相府招親非本意
（來旺）都是丞相他强逼。
（蔡）我在相府常歎息，没有一天忘記你，
（趙）相府小姐千金體，匹配狀元正相宜；為妻願意成全你，從此和你两分離。
（蔡）分離两字休提起，我拚著辭官歸故里依舊鳥比翼，樹連理，一雙两好長相依。
（來旺）拐杖一支在這裡，打他一頓消一消氣。
（蔡）為夫甘心受杖打，打我的不孝又不義。
（趙）拐杖是公公生前手中携，公公在世也不打你，縱然是天道多變倫常乖，為妻我豈能太無禮。
（蔡）蔡伯喈不是薄情郎，千山萬水我也要跟隨你！
夫妻明星
趙雷和石英結婚幾年來，兩人的情感仍在增進中，石英爲趙雷建設一個温暖的家庭，情願退出影壇，專心主持家務；趙雷怕嬌妻寂寞，前幾時特地自任老闆，拍了幾部粵語片，以石英挑大樑，果然賣座鼎盛，觀衆對石英的才能有了新的估計。「趙五娘」開拍，李湄主演趙五娘，趙雷主演蔡伯喈，牛文繡一角由製片人王龍邀請石英演出，一來讓她過過戲癮，二來使「趙五娘」一片的陣容增强。
石英與趙雷以携手主演而結成姻緣，可是結婚以來，倒從未在銀幕上再拍擋，此次「趙五娘」中以夫妻明星來演夫妻，石英自然把一份妻子的温柔在銀幕表露無遺，毋怪趙雷說，當年牛小姐一定沒有石英好，否則蔡伯喈還肯跟五娘走嗎？
「趙五娘」是否是石英再拍國語片的先聲？那要看趙雷肯不肯讓石英重上銀幕了！
李湄與趙五娘
你還記得「一九五三年是李湄的」這句標語嗎？
李湄在銀幕上走紅了十年！她從自己製片到加入電懋公司，一直在奮鬥中。
人不可能樣樣都會做，但是成爲一個電影明星，觀衆對明星的要求幾乎是「十全十美」的，他們希望崇拜的明星們旣能演悲劇，也能演喜劇，還要能歌善舞，色藝雙絕。
李湄在悠悠十年中，訓練自己做到了這點。
她能唱歌，能跳舞，能演喜劇，也能演悲劇如「趙五娘」。「趙五娘」的心事在李湄的揣摹下，用她的演技，歌唱，一一傳到觀衆心中，引起共鳴。
李湄是全材明星，也是一位色藝雙絕的明星。
THE LADY OF LUTE (TSUI NG NAN)
Synopsis
Tsui Ng Nan was married to a scholar Choi Pak Kei. She was not only noted for her beauty and intelligence, but she was also a perfect wife as well as a dutiful daughter-in-law in the eyes of her neighbour Cheung Kong Chai
It had been Choi’s greatest desire to get the highest graduate from the Government, however, he didn’t want to leave his aged parents behind for the examination. But on the other hand, Choi’s father wished his son to achieve fame and success, and to be somebody in his field, so he bitterly reproached Choi for having no ambition to aim high, and finally compelled the latter to set off for the public examination.
Before leaving, Choi entrusted his family to the care of his friend and neighbour, Cheung Kong Chai.
After a hard study, Choi was ultimately awarded the highest graduate, and the Prime Minister seeing Choi a bright young promising youth, offer to give him his daughter in hand of marriage in spite of Choi’s protest. Even though Choi had attempted to resign from his official rank if he was compelled to marry again, however, his resignation was turned down and the marriage was finally held. After the wedding Choi still resided in the capital city with his newly wed bride and father-in-law.
During this time, a draught was just happening in the town where Tsui Ng Nan and her folks lived. Everywhere was dry and rainless, and with the little food she got, she all reserved for her father and mother-in-law. At first, Choi’s parents thought that she had already reserved enough food for herself, but when they learned of the truth, they were deeply touched at her filial pity, and eventually refused to take all the food from her. As time passed, they could no longer stand with the little food they had, thus they became weaker and weaker in strength, and finally Choi’s parents died of hunger and old age. Taking pity, Cheung helped Tsui Ng Nan to bury her folks, and in addition gave her a sum of money enough for her trip to find her husband. So with the little sum of money and a guitar, Ng Nan sang her way to the city.
Meanwhile, Choi who was now living luxuriously with his present wife, did not feel happy at all, for his heart was always feeling guilty of deserting Tsui Ng Nan and his aged parents behind. His wife didn’t know of his story, and seeing how unhappy he was, she begged her husband to tell her the problem that was actually bothering him day and night. When Niu, his wife, finally learned of the truth, she felt very sorry for the error she had committed as she didn’t know that Choi had a wife beforehand. Wishing to pay back for the wrong she had done, Niu begged her father to permit Choi to return to his own native town.
It came to pass that Tsui Ng Nan finally arrived at the city and found to her knowledge that Choi had already married to somebody else. Amidst agony and anger, Ng Nan took her leave. Later when Choi learned of his wife's visit, and saw the guitar that she had left behind, he immediately set off his pursuit, and met Ng Nan on the way, who ultimately forgave Choi after much persuasion, and they both rode towards a homeward journey to their own town for retirement.
— End —
趙五娘本事
趙五娘，美而慧，嫁士人蔡伯喈爲妻，敬公婆，愛丈夫，深得鄰居張廣才讚許。
會朝廷開科取士，伯喈雖有金榜題名之意，奈感父母年邁，不忍遠離。
蔡父望子成龍，强之應試，母不以爲然，二老幾乎衝突。五娘亦以椿萱在堂，子不遠行爲辭，蔡父勃然色變，指伯喈迷戀閨房之樂，以致意忘消沉。伯喈嘿然，遂行成。
伯喈臨行，以家事托張廣才，張翁慨然允諾。五娘南浦送別，叮嚀再三，夫妻黯然而分。
伯喈至京應試，一舉成名，官拜議郞。
當朝牛丞相，見蔡少年英俊，卓爾不凡，欲招之爲婿，並奏請聖上主婚。蔡因本人旣巳婚配，何能再娶，拒之再三，仍屬無效，雖爲此上表辭官，終因君命難違，强之再婚，並繼續留京爲官。
蔡之家鄕陳留郡，遭遇旱災，赤地千里，民不得食，五娘變賣所有，難以爲繼，聞開糴義倉，往求升斗，不料途中爲飢民所劫，張廣才路過見之，以己粮助其歸。
五娘以張廣才所濟之米奉公婆，己則以糠粃充飢。公婆初則懷疑，以爲五娘暗藏美食，旣而窺得其情，心大不忍，乃與其共食，不幸被嗆而亡。
五娘無以爲殮，乃往長街賣髮，呼聲凄凉，路人酸鼻，事爲張廣才知，復助之，公婆得以埋葬。
五娘决計往京尋夫，描寫公婆遺容，背負琵琶上路，張廣才贈以盤費，泫然目送。
伯喈招親相府後，牛丞相不使其歸，因牛無子，留其以娛晩景也。而蔡日夕思家，無時或釋，一日牛氏探悉其情，恨其父不該將己配其有婦之夫，因伊初不知蔡有髮妻也，然木已成舟，恨也無益，乃請父讓蔡歸去探親。
牛丞相初不允，旣而命僕人來旺，往陳留郡接蔡父母及其妻來。
來旺至鄕間，遇張廣才，始知蔡父母已去世，五娘亦已進京尋夫矣。廣才授杖，囑代責伯喈，來旺乃受杖而別。
五娘至京，悉蔡招親相府，棄舊迎新，且將堂上二老，抛諸腦後，不義不孝，如此夫婿，ー無可取，乃留下二老遺容及琵琶，絕望而去。伯喈獲睹琵琶，絕望而去。伯喈獲睹琵琶及遺容後，始知五娘踪跡，亟上馬追趕，得遇五娘於途中，適來旺亦持蔡父之遺杖而至，伯喈甘受杖責，並向五娘表示願偕歸隱之意，五娘卒亦恕之焉。
趙五娘與「琵琶記」
蔡伯喈是東漢時代陳留郡人士，博學多才，性篤孝。在初平初，官拜中郞將，封高陽鄕。董卓死，蔡伯喈被株連，廋死獄中，除女兒文姬，二個兒子也被殺戮。
到了宋朝，有人假借蔡伯喈之名，編了一齣戯，諷剌當時的權貴棄糟糠再娶，因爲寫得精彩動人，一時流傳四方，婦孺皆知。
劉後村有詩曰：「死後是非誰管得，滿村爭唱蔡中郞。」可見此劇動人心弦。
元朝的高則誠是個寫詞曲的好手，他得到了這個曲本，又加以潤色，使內容份外充實，並題名曰：琵琶記。家傳戶誦，使死後之蔡伯喈名揚四海。
撇開這齙戲的眞實與否不談，以戲論戲，這是一部好戲，它描劃夫妻之愛，天倫之情，朋友之義，及高高在上的大官之自私，都有獨到的筆觸。尤其是戲中的女主角趙五娘惹人憐愛，她代表了女性堅强的一面，對公婆的尊敬孝順，對丈夫的温柔體貼，對艱苦的不屈不撓，在在都使人對她肅然起敬，誰敢說：「女人是弱者」？
聯合影業有限公司拍攝的「趙五娘」，是「琵琶記」改編的。把不必要的塲合刪去，增添了戲劇性外，還强調蔡伯喈和趙五娘的愛情，如蔡伯喈所唱︰「千山萬水我也要跟隨你！」說明他對趙五娘的精誠之愛。
李湄在「趙五娘」中飾演趙五娘，趙雷飾演蔡伯喈，石英飾演牛小姐，都有超水準演出。製片人王龍說：「我不敢說趙五娘的成績是怎麽樣好，但是我敢肯定的相信觀衆看過一次後，還想看第二次，第三次……」
凉亭會
〝趙五娘〞揷曲之35
陳蝶衣詞
侯湘曲
（蔡伯喈 趙五娘 來旺唱）
（蔡）娘子休要生我的氣，我特地前來追尋你。
（趙）你是相府金亀婿，何必追尋糟糠妻
（蔡）相府招親非本意
（來旺）都是丞相他强逼。
（蔡）我在相府常歎息，没有一天忘記你，
（趙）相府小姐千金體，匹配狀元正相宜；為妻願意成全你，從此和你两分離。
（蔡）分離两字休提起，我拚著辭官歸故里依舊鳥比翼，樹連理，一雙两好長相依。
（來旺）拐杖一支在這裡，打他一頓消一消氣。
（蔡）為夫甘心受杖打，打我的不孝又不義。
（趙）拐杖是公公生前手中携，公公在世也不打你，縱然是天道多變倫常乖，為妻我豈能太無禮。
（蔡）蔡伯喈不是薄情郎，千山萬水我也要跟隨你！
夫妻明星
趙雷和石英結婚幾年來，兩人的情感仍在增進中，石英爲趙雷建設一個温暖的家庭，情願退出影壇，專心主持家務；趙雷怕嬌妻寂寞，前幾時特地自任老闆，拍了幾部粵語片，以石英挑大樑，果然賣座鼎盛，觀衆對石英的才能有了新的估計。「趙五娘」開拍，李湄主演趙五娘，趙雷主演蔡伯喈，牛文繡一角由製片人王龍邀請石英演出，一來讓她過過戲癮，二來使「趙五娘」一片的陣容增强。
石英與趙雷以携手主演而結成姻緣，可是結婚以來，倒從未在銀幕上再拍擋，此次「趙五娘」中以夫妻明星來演夫妻，石英自然把一份妻子的温柔在銀幕表露無遺，毋怪趙雷說，當年牛小姐一定沒有石英好，否則蔡伯喈還肯跟五娘走嗎？
「趙五娘」是否是石英再拍國語片的先聲？那要看趙雷肯不肯讓石英重上銀幕了！
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